Testimonials
Mark Hedges, Producer, Treasure Island
Residence Pictures were a delight to work with. The team are professional, knowledgeable, incredibly capable and the show was in really safe hands throughout. Grading work was excellent and the online editing and DI work was outstanding. Their flexibility dealing with the inevitable changes that occur during the post process was priceless. They are also a great bunch of people – smart, personable and fun. I wouldn’t hesitate to return.
Bryony Arnold - Executive Producer, Sister Pictures
Residence Pictures provided the grade and online for The Split Up and went above and beyond at every stage. Not only was the quality of the finished work genuinely beautiful; they were a hugely collaborative and supportive team to work with. We couldn’t be happier with what they delivered.
Christine Healy, Head of Production, Playground Entertainment
Residence pictures spoil me with their VFX savvy fishing artists and amazing colour department. I struggle to find anywhere else at their level.
Tim Whitby, Producer, Peaky Blinders
I’ve loved everything about working with Residence, which I’ve done now on both low and high-end productions. They deliver technical excellence in all aspects of picture post and exemplary management. They are clear, frank, conscientious and imaginative. Residence assume nothing and help with everything.
Being able to grade, online, and do vfx on one site was much easier to manage, cost effective and creatively fun.
Rebecca Gatward , Director, Marble Hall
Residence pictures are a terrific company. I have worked with them on two projects now and I hope many more. The colourists, online and VFX staff are all ARTISTS, wonderfully collaborative and creative. The teame work incredibly hard to make sure their clients are happy and work flow is achieved with efficiency and flexibility. I love being part of the Residence family.
Shane Meadows (DIR) - The Gallows Pole & Chork
Working with Paul Harrison was a joyous experience. Paul squeezed every last cinematic drop out of our footage. His ability to decode the look I hoped to achieve and suggest ingenious ways to push it further were second to none. It’s easy to create a grade that punches you in the eyeballs throughout, but less so to create one that holds back until the story deserves it. That’s Paul’s brilliance, he’s there to serve and further the story.
Matt Gray (DOP)- The Killing Kind
It was such a pleasure to work with Paul Harrison and all the wonderful team at Residence Pictures. Paul was not only warm and generous with his time, he was totally dedicated to producing the best quality for The Killing Kind and brought his enormous talent and skilful attention to the grade.
David Evans (DIR) – Domina & Signora Volpe
Domina has a very bold look: lighting, production design, costume – but that sets the bar high in post. I’ve never known such consistent, committed enthusiasm in grading and on-line as Paul and Owen brought to our show – and they’re both great at what they do. So Domina gained two key creatives whose skill and attention to detail is visible in every scene.